dimensions
learning to see. again.
free of authorial intent
focuses on image composition, construction, capturing
a series of haikus, vignettes, exercises as preproduction
inspirations: d lynch ==> inland empire, d cronenberg ==> storyboard-free, blocking-dictated
culminates with a conversational sequence between actors/actresses (never filmed one)
blocking will dictate composition per cronenberg
modus operandi: make language and action meaningfully photographic
primary impetus: re-learn how to see what is in front of me; distinguish this from what i "place" there
secondary impetus: conversation construction, actor rehearsals, blocking
undercurrent(s): blur the line between ideation and creation; make the process the product and vice-versa
threads: haikus (complete cinematic agency) and taped rehearsals (photographically agentless) will be woven into a vignette in which both captor and captured will have mutual cinematic agency
to be transplanted to: students.washington.edu/eledrew asap
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