Tuesday, November 04, 2008
Blog of no content
In addition to the below sound project (due Nov. 10), I also have a proposal due for my final project in the physics class I'm taking right now: Light and Color. My final project can be a research paper into any of the material we've touched on (give me a break) or it can be an artwork that explores and experiments with some of the topics we've learned (break me off a piece!).
I'm dead certain my project will be a video, hopefully HD. What little film I have is too precious -- I'm saving that for my general studies thesis -- and as much as I love my PD150 and the DVX100, it's time to step it up a little bit. You know, "experiment"? I have access to an HVX100, in theory at least, through my department's research center CARTAH. But whereas it was once possible to get any of their pretty stellar equipment through a simple go-through-the-motions application process, it has become bafflingly difficult to get access to their equipment now. At any rate, I at least need a mini-proposal to submit to them in order to maybe obtain access, so I need to get a jump on that, as submitting my Cartah app by Monday (when my Phys prop is due) is getting a little too late for comfort.
The initial proposal involves: identifying a subject or theme (optics/lenses), where I will obtain information and materials, what exactly I will produce. Fairly straightforward.
But beyond that, the snag I hit is on -- as ALWAYS -- the fucking "what"? And by that, I don't mean "film or video or photograph or painting", I mean "what the fuck is this thing going to be about?" One thing I look forward to after I graduate, is not having to create an idea to suit a project, but instead having to create a project to suit an idea. Which is exactly as it should be. However, having a skill such as that is likely useful in the sink-or-swim world of professional filmmaking.
I, of course, want to continue my movement into narrative filmmaking, especially after all of the play- and screenwriting I've done in the past few months. So drumming up a story that isn't overly ambitious, but just enough so, in order to encourage me to continue to move toward self-experimentation. Shooting high-def will get me halfway there. The scope of the project will be the other half. Naturally, I also hope to work with actors -- but do I really have time to audition for this thing? Jan is always reliable and down for a little guerrilla videomaking, but whether or not I need a more professional performance or I can use my old friend will and should depend wholly on the content of my piece.
Content. That word, it seems to be continually resurfacing. Interesting.